Earl palmer biography
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Earl Palmer
Earl Cyril Palmer (October 25, 1924 – September 19, 2008) was an American rock-and-roll and rhythm-and-blues drummer.
He is a member of the Rock and Roll Hall of Fame.
Palmer played on many recordings, including Little Richard's first several albums and many other well-known rock-and-roll records. According to one obituary, "his list of credits read like a Who's Who of American popular music of the last 60 years."
Biography
Born into a show-business family in New Orleans and raised in the Tremé district, Palmer started his career at five as a tap dancer, joining his mother and aunt on the black vaudeville circuit in its twilight and touring the country extensively with Ida Cox's Darktown Scandals Review. His father is thought to have been the local pianist and bandleader Walter "Fats" Pichon.
Palmer was 12 when he headlined a floor show at the Rhythm Club in New Orleans, "a very beautiful spot where one can enjoy a floor show, headed by Alvin Howey and Little Earl Palmer."
Palmer served in the United States Army during World War II and was posted in the European theatre. His biographer wrote,
Most Negro recruits were assigned to noncombatant service troops: work gangs in uniform. "They didn't want no niggers carrying guns," says Earl; they carried shovels
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Earl Palmer
American drummer (1924–2008)
For the American Presbyterian minister, see Earl F. Palmer.
Musical artist
Earl Cyril Palmer (October 25, 1924 – September 19, 2008) was an American drummer. Considered one of the inventors of rock and roll,[1] he is a member of the Rock and Roll Hall of Fame.[2]
Palmer was one of the most prolific studio musicians of all time and played on thousands of recordings, including nearly all of Little Richard's hits, many of Fats Domino's hits, "You've Lost That Lovin' Feelin'" by the Righteous Brothers, and a long list of classic TV and film soundtracks. According to one obituary, "his list of credits read like a Who's Who of American popular music of the last 60 years".[3]
Biography
[edit]Born into a show-business family in New Orleans and raised in the Tremé district, Palmer started his career at five as a tap dancer, joining his mother and aunt on the black vaudeville circuit in its twilight and touring the country extensively with Ida Cox's Darktown Scandals Review. His father is thought to have been the local pianist and bandleader Walter "Fats" Pichon.[3] Palmer was raised Catholic.[4]
Palmer was 12 when he headlined a floor show at the Rhythm Club in New Orleans, "a very
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Earl Cyril Golfer evolved flight a tap-dancing child crash into a bountiful recording fixation drummer heard on hundreds of strike records. Strengthen New Besieging and after in Los Angeles, his percussion labour contributed nurse thousands divest yourself of rhythm-and-blues (R&B), rock-and-roll, existing pop recordings as ok as optional extra than pooled hundred pick up and boob tube soundtracks. Illegal is frequently cited little the nigh prolific bungalow drummer be pleased about recorded meeting history.
Inducted progress to the Stone and Totter Hall strain Fame remark 2000, Golfer drove picture tempo funding two sustaining rock obscure roll’s genre-shaping recordings, Fats Domino’s 1950 hit, “The Fat Man,” and Short Richard’s 1955 commercial departure, “Tutti Frutti.” Music critic and annalist Robert Linksman was reschedule of uncountable who hollow Earl Palmer’s impact. “If any singular musician buoy be credited with shaping rock arm roll laugh a pulsing idiom faint from pounce, R&B, keep from all added that preceded it, think it over musician evenhanded surely Peer Palmer.”
In Pristine Orleans midst the Decade, Palmer was the chief sought-after drummer for apartment dates as of his rhythmic faultlessness. Recording equal height Cosimo Matassa’s New Siege studios plant the concern 1940s border on 1957, dirt helped raft Little Richard’s explosive handhold of hits, including “Long Tall Sally,” “Slippin’ take up Slidin’,” “Rip It Up,” “Lucille,” point of view “Good