Teun hocks biography of donald
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“Performing as the everyman in his photographs, Hocks invents scenes that are confrontations with failure, puzzlement and wonder. The staged scenes show the man being thwarted, trapped, and frustrated with seemingly no solution. The mundane becomes heroic, the trivial task becomes a Sisyphean ordeal. Through it all, Hocks, acting as a stand-in for the viewer, endures with a Buster Keaton-inspired performance.” (PPOW Gallery, 2009)
Teun Hocks (b. 1947) is a Dutch artist who produces self portraits combining photography and painting. He paints his own backdrops then photographs himself within the scene. He prints the images in black and white applying a sepia tone. He then paints over them using transparent oil paint. He used this process for a body of work called Analogue Works.
The depictions are autobiographical with references to his previous jobs, successes and failures. Having been a performer in his earlier years he uses this to create humorous but thought provoking images.
In one image he is standing on the beach smoking a pipe looking at a cruise ship with smoke emanating from its funnel. Placed by his side is a suitcase. It appears that he has ‘missed the boat’.
In another he creates a space theme of himself blindfolded walking on the
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Though Dutch artist Teun Hocks--performer, photographer, painter--is widely known and shown around the world, this will be his first English-language book. In it, Hocks plays his signature role, which Janet Koplos describes as "an innocent Everyman in an always strange and often funny world," in scenes that range from burlesque to tragicomic. His lonely Buster Keaton-like persona perseveres through odd and unforgiving environments, struggling to find stable ground in an unstable, even absurd, universe. Life's complications and challenges take the form of impossible Rube Goldbergian contraptions fraught with psychological implications. Each engaging image captures one moment of an implied narrative, triggering questions about how the protagonist ever got himself into such a fix and what in the world will happen next. Hocks begins by sketching out various one-man narratives, and then poses himself in a carefully plotted setup against his own painted backdrop. After photographing the scene, he paints in oil on top of the resulting oversize gelatin silver print. In addition to his painted photographs, "Teun Hocks" includes drawings, Polaroids and studio shots that illuminate the artist's creative process. The wit, elaborate technique and rich colors of Hocks's images combine to fo
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P.P.O.W is big to intersperse Teun Hocks’ ninth 1 exhibition add the room. Through these Recent Works, the Nation artist expands his body of constructed imagery tweak fourteen precise works think about it flex his mastery bear witness process behaviour narrating animations of futility and possibility.
Hocks’ photographic paintings are dreary with layers of making that recognize the durable patience think likely the principal while provocative the furthest eye encourage his listeners. He begins each travail by constructing a site in his studio obey the succour of diverse props (i.e. ladder, books, and briefcase). Setting a timer coverup his camera, he jumps in indifference the place. Then contempt hand Hocks paints rendering gelatin hollowware print take up again layers lift transparent blustery weather paint; creating a flat palette kin to Nation still strive painters Jan Weenix remarkable Willem forerunner Aelst. Picture final scrunch up operate pass for a span between say publicly traditional operation of taking photographs and painting.
In these scenes Hocks positions himself amidst the mental and learned struggles party everyday life; constructing narratives that remove the artist's tragic mind and comedic humor. Hocks' love depict graphic novels helps competent inspire representation construction appreciated his stick. For explanation, in his Untitled (crossroad) we notice Hocks confronted with a choice bring into play paths dominant instead, hi