Anastas michos biography of donald
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Anastas Michos, ASC, GSC on The Kissing Booth 2 and The Empty Man
“What are we going to talk about today?” cinematographer Anastas Michos, ASC, GSC asks almost immediately after answering his phone. It’s late July when Panavision connects with Michos, and though the vast majority of productions had ground to a halt back in March due to COVID-19, the cinematographer has managed to keep busy while also taking all necessary precautions to stay healthy and safe. After doing some shooting around New York City for a documentary about the pandemic directed by fellow ASC member Ellen Kuras, Michos lifted anchor and has recently been sailing along the East Coast. “Isolating socially became ‘let me go commune with nature,’ just to put a different spin on it,” he shares.
The cinematographer also just had the romantic comedy The Kissing Booth 2 — director Vince Marcello’s sequel to his 2018 feature The Kissing Booth, which also had Michos behind the camera — premier on Netflix, with the debut of another feature, director David Prior’s supernatural thriller The Empty Man, on the docket for later this year. And that is what we’re going to talk about today.
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Working with Cinematographers with Anastas Michos
Lesson Info
Working with Cinematographers with Anastas Michos
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Guillermo del Toro‘s name may be in the title of “Guillermo del Toro’s Cabinet of Curiosities,” his Netflix horror anthology series, but he very much let the creative teams for each installment carry out their own visions. “Guillermo didn’t visit us at all on set. His imprimatur came from not only the name but the commonality of production design, which had the same production designer throughout all the episodes,” cinematographer Anastas N. Michos tells Gold Derby at our Meet the Experts: Cinematography panel (watch the exclusive video interview above). “Guillermo let us do our own thing. Obviously at the back of your mind, it is under the GDT umbrella, so certain color palettes, subconsciously more than anything else, were influenced by that, but it’s really [director] David [Prior]’s vision about what this story is.”
The eight-episode series tells a different horror tale in each one. The third episode, “The Autopsy,” for which Michos received an Emmy nomination, is set in 1978 and stars F. Murray Abraham as Dr. Carl Winters, a cancer-stricken coroner who is asked by his friend, Sheriff Nate Craven (Glynn Turman), to perform autopsies on miners who had died in an explosion. O