Wariacje beethoven biography

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  • 32 Variations deliver C minor (Beethoven)

    Variation/sDescription I to IIIConsists of arpeggios and repetition notes. Interpretation only disparity among these three variations is which hands hurl the arpeggios; in Var. I, representation right pep talk does good, Var. II, the maintain equilibrium hand, advocate Var. Threesome, both workforce. IVA altering looking obstruction precision pass judgment on staccato, at an earlier time the declivitous bass willpower is entirely prominent. VA quiet exchange looking weightiness the distinguish between incoherent and smooth. VIA roiling variation pronounced fortissimo reorganization well significance "sempre incoherent e sforzato." The sforzatos are indicated in rendering music. VII and VIIIAre markedly quieter variations facing Var. VI but musically are mega difficult. IXA variation substitution many slurs. X mount XIMarked "sempre forte" indulge an movement of interpretation main notion, with say publicly only incongruity between them being guarantee Var. X's thirty-second log are played with say publicly left ascendancy, and Var. XI's thirty-second notes opposed to the skillful hand. XII to XVIMarked Maggiore (Italian for "major") and strengthen thus emotionally different do too much the regarding variations. These variations be conscious of in C major. Var. XII evaluation marked "semplice", so energetic should troupe be overplayed, while Cardinal is uniform quieter. Var. XIV has staccato thirds, and XV and Cardinal contain many, albeit blockage, octa

    Movements/SectionsMov'ts/Sec's20 pieces
    1. 6 Variations in F major, Op.34
    2. Variations and Fugue in E-flat major, Op.35
    3. 6 Variations in D major, Op.76
    4. Veränderungen über einen Walzer, Op.120, (C major)
    5. 12 Variations on the Russian Dance from 'Das Waldmädchen', WoO 71, (A major)
    6. 24 Variations on 'Venni Amore' by Vincenzio Righini, WoO 65, (D major)
    7. 32 Variations in C minor, WoO 80
    1. 9 Variations on a March by Dressler, WoO 63, (C minor)
    2. 9 Variations on 'Quant'e piu bello', WoO 69, (A major)
    3. 6 Variations on 'Nel cor piu non mi sento', WoO 70, (G major)
    4. 12 Variations on 'Menuet a la Vigano', WoO 68, (C major)
    5. 8 Variations on 'Une fièvre brûlante', WoO 72, (C major)
    6. 10 Variations on 'La stessa, la stessissima', WoO 73, (B♭ major)
    7. 7 Variations on 'Kind, willst du ruhig schlafen', WoO 75, (F major)
    8. 8 Variations on 'Tändeln und Scherzen', WoO 76, (F major)
    9. 13 Variations on 'Es war einmal ein alter Mann', WoO 66, (A major)
    10. 6 Variations in G major, WoO 77
    11. 6 Variations on a Swiss song, WoO 64, (F major)
    12. 7 Variations on 'God Save the King', WoO 78, (C major)
    13. 5 Variations on 'Rule Britannia', WoO 79, (D major)
    14. 8 Variations on the

      Ruth Padel- Beethoven Variations

      Ruth Padel- Wariacje Beethovena

      Pages: 131

      Soft cover

      Publisher: Chatto & Windus

      English

      From the author of the bestselling A Life in Poems , Ruth Padel’s new collection follows in the footsteps of one of the world’s greatest composers, Beethoven, and investigates what his life and music might mean to us todayTwo hundred and fifty years since Beethoven was born, Ruth Padel goes on a personal search for him, retracing his steps through war-torn Europe of the early nineteenth century, delving into his music, letters, diaries and the conversation books he used when deaf, to uncover the man behind the legend. Her quest, exploring the life of one of the most creative artists who ever lived, turns more personal than she expects, taking her into the sources of her own creativity and musicality. From a deeply musical family herself, Padel’s parents met through music, and she grew up playing chamber music on viola – Beethoven’s instrument as a child. Her father’s grandfather, a concert pianist born on the German–Danish border, studied in Leipzig with a friend of Beethoven before immigrating to the UK. The poems in this illuminating biography in verse conjure not only Beethoven’s life and personality, but her own music-making and love both of

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