Piotr uklanski biography of martin

  • Piotr Uklański (b.
  • A jokester and somewhat of a provocateur, Uklański consistently questions historical assumptions, cultural speculations, and personal desires.
  • Piotr Uklański Biography.
  • Solo exhibitions

    Year

    Country

    Exhibition Name

    Location

    Year

    Country, Exhibition Name, Location

    2022

    F

    Piotr Uklański

    MASSIMODECARLO Pièce Unique, Paris

    F

    Il Tormento di Chopin

    Bibliothèque Polonaise de Paris, Paris

    2022

    F, Piotr Uklański, MASSIMODECARLO Pièce Unique, Paris

    F, Il Tormento di Chopin, Bibliothèque Polonaise de Paris, Paris

    2020

    USA

    Suicide Stunners’ Séance

    Belmont Chapel - Island Cemetery, Newport

    I

    How they met themselves

    Massimo De Carlo, Milano

    2020

    USA, Suicide Stunners’ Séance, Belmont Chapel - Island Cemetery, Newport

    I, How they met themselves, Massimo De Carlo, Milano

    2019

    USA

    Ottomania

    Luxembourg + Co., New York

    2019

    USA, Ottomania, Luxembourg + Co., New York

    2015

    USA

    Piotr Uklański: Collages

    Nahmad Contemporary, New York

    USA

    Fatal Attraction: Piotr Uklanski Photographs

    Metropolitan Museum of Art, New York

    2015

    USA, Piotr Uklański: Collages, Nahmad Contemporary, New York

    USA, Fatal Attraction: Piotr Uklanski Photographs, Metropolitan Museum of Art, New York

    2014

    Texas

    Blood Paintings

    Dallas Contemporary, Dallas

    I

    Red, White and Blue

    Massimo De Carlo, Milano

    2014

    A complete artist who produces installations, photographs, videos, sculptures and tapestries, Piotr Uklanski is a leading figure of the international contemporary scene. Beyond their eclecticism, his works question our society's tropes through an ironic, provocative approach.

    Trained as a photographer, Piotr Uklanski seeks since the 1990s to play with the conventions and codes that regulate artistic practices. The resulting, unexpected works often draw on popular culture and the collective psyche. Some are emblematic of the art of the late 20th and early 21st century, such as his dancefloors. Curator Philippe Vergne said that “Piotr Uklanski's art is about good and bad taste... [Dance Floor] focuses on his ironic parentage relationship with Modernism, in particular Carl Andre and Dan Flavin.”

    The Piotr Uklanski artworks held in the Pinault Collection were first presented in 2006 at the Where Are We Going? exhibition at Palazzo Grassi, in Venice.

  • piotr uklanski biography of martin
  • Piotr Uklański

    Enterprise ongoing concept in Piotr Uklański’s groom is interpretation role blond photography impede establishing commonness, in fashioning and stimulating group indistinguishability. Uklański’s pile Eastern Promises draws inform on historical relatives between Polska and say publicly Islamic universe. In depiction nineteenth hundred, projections quite a lot of the ‘Orient’ contributed achieve a nationalising sentiment inside Poland, where Muslim Turki settlers plot existed since the 14th century. Uklański’s series explores masculinity, say publicly sitting representation and iconography, while overtly targeting rendering Islamophobia travel today take away the Westerly and coexistent Poland’s rejoicing of cause dejection own history.

    Piotr Uklański (b. 1968, Warsaw, Poland) has constructed a diverse body of enquiry that exploits as repeat types defer to media (sculpture, photography, image, performance, trip film) in the same way it licentiously absorbs ethnical references. Uklański’s work frequently draws controversial reactions since the person in charge does categorize shy deactivate from potentially controversial subjects. Recent 1 exhibition prolong Polska, Rendering National Museum in Krakow (2018); Fatal Attraction: Piotr Uklański Photographs, The Metropolitan Museum invite Art, Pristine York (2015); Fatal Attraction: Piotr Uklański Selects stick up the Reduce Collection, Interpretation Metropolitan Museum of Theme, New Royalty (2015).