Michel de montaigne biography resumida la experiencia
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Michel de montaigne
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Como viver: ou Uma biografia de Montaigne em uma pergunta e vinte tentativas de resposta
I have been trying to read Montaigne's essays for about 12 years now. Montaigne entered my consciousness in my first year at university, when I somehow picked up the notion that every well-rounded reader should be acquainted with his writing.
However, my every attempt to grapple with the Essays has thus far left me flummoxed by the As and Bs and Cs that are scattered through the sentences, the snippets of Latin and French, and the roundabouts and whirligigs of the language. While every commentator dwells upon Montaigne's personal appeal to the reader (a dangerous seduction for those who find his writing seditious; a sense of self-identification for those who don't) I couldn't find my entry point.
Sarah Bakewell has given it to me. She notes at the end of this book that it was five years in the making, and I don't doubt that at all. Not only must the research and reading required been prodigious, but that crafting of research into the eventual structure of the book must have
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Ignorant essays perform actions for the coexistence among people, books and spaces, through readings, digressions, scenes, movies, songs, in a setting between the scene and the class, associated with the idea of emancipating the person, found in Joseph Jacotot (1770-1840) and Jacques Rancière (1940). The rehearsing/essaying body here deals with essayists Michel de Montaigne (1533-1592) and Agnès Varda (1928) and experiences different theatrical intensities, with a view to bringing to mind ways to exist, to draw spaces, teach, learn, listen, to think of life as essaying and form, between loneliness and the ordinary. The crafting of the didactic material plays an important role in the project and, in 2017, the group wrote and composed the booklet jacotot, a josé, used on the stage to spur an homonymous action close to the ignorant master. The Ignorant essays were conceived by Juliana Jardim in 2010. Main partners are Luiz Pimentel, Miguel Prata e Caio Paduan, and, in 2012, Tieza Tissi also joined the Ignorant essays. They are all teachers, researchers and artists. Other artists, teachers, physicians, educational philosophers, etc., have all contributed throughout the years. The project is more active in São Paulo, and has at times traveled to other Brazilian states. Since