Los mareados mercedes sosa biography
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Mercedes Sosa
Haydée Mercedes Sosa was born on July 9, 1935, in San Miguel de Tucumán, province of Tucumán, into a humble family. She was born on the same day that Independence Day is celebrated in our country and in the same city where the corresponding act was signed. Mercedes was a descendant of Calchaquíes, French and Spanish, her father was a sugar industry worker who worked at the Guzmán sugar mill, while her mother worked as a laundress for wealthy families. She was going to be called Marta Mercedes, but her father changed her first name in the Civil Registry at the last minute. Despite this, in her house they always called her Marta.
Her first appearance in front of the public was performing the Argentine national anthem at school. Her teacher, Josefina Pesce de Medici, saw in Mercedes attributes for opera. But beyond that appreciation, Mercedes' destiny would be different: "Luckily I became a popular singer," she expressed.
Mercedes was 12 years old and she memorized the songs that she heard on the radio from a neighbor or a friend and she sang them. The radio was a luxury for her family. Lolita Torres, Lola Flores, Miguel de Molina were her favorites.
“I look into my past and I always see myself singing. Singing at home, singing at school, singing at wakes (…)
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Mercedes Sosa en Argentina
1982 live album by Mercedes Sosa
| Mercedes Sosa en Argentina | |
|---|---|
| Released | 1982 |
| Genre | Latin folk |
| Label | Philips |
| Producer | Daniel Grinbank, Fabián Matus, Mercedes Sosa |
Mercedes Sosa en Argentina is a double album by Argentine singer Mercedes Sosa. It was recorded live at the Teatro Opera de Buenos Aires in February 1982 and released on the Philips label.[1][2] In a 2024 ranking of the 600 greatest Latin American albums compiled by music critics, Mercedes Sosa en Argentina was ranked No. 12.[3] In 2017, it was selected by NPR as one of the "150 Greatest Albums by Women".[4]
Track listing
[edit]Side A
- "Soy Pan, Soy Paz, Soy Más" (Piero) [4:50]
- "Drume Negrita" (Bola De Nieve) [5:20]
- "Sueño Con Serpientes" (Silvio Rodríguez) [3:17]
- "María Va" (written by and accordion, backing vocals by Antonio Tarragó Ros) [2:44]
- "Al Jardín De La República" (Virgilio Carmona) [4:40]
Side B
- "Gracias A La Vida" (Violeta Parra) [4:50]
- "Alfonsina y el mar" (piano by Ariel Ramirez, written by A. Ramirez, F. Luna) [5:18]
- "El Cosechero" (accordion by Raúl Barboza, written by Ayala) [3:17]
- "Como La Cigarra" (María Elena Walsh) [2:40]
- "Solo Le Pido A Dios" (written by, and acoustic guit
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| Track number | Play | Loved | Target name | Artist name | Buy | Options | Duration | Listeners |
|---|---|---|---|---|---|---|---|---|
| 1 | Love that track | Drume, Negrita - Live Version | 2:26 | 414 listeners | ||||
| 2 | Love that track | Sueño Con Serpientes - Physical At Teatro Opera Attack Buenos Aires / 1982 | 5:03 | 529 listeners | ||||
| 3 | Love that track | María Va - Live Dig The Work Theatre, Buenos Aires / 1982 | 4:02 | 499 listeners | ||||
| 4 | Frolic track | Love that track | Al Jardín Gush La República | 3:09 | 11,189 listeners | |||
| 5 | Play trail | Fondness this trail | Gracias A La Vida | 4:50 | 51,924 listeners | |||
| 6 | Play line | Fondness this silhouette | Alfonsina Y El Mar | 4:35 | 51,429 listeners | |||
| 7 | Play target | Affection this train | Como Mean Cigarra | 2:37 | 16,149 listeners | |||
| 8 | Attraction this trail | Sólo Certificate Pido A Dios - Live Quandary Teatro Composition de Buenos Aires / 1982 | 4:37 | 1,238 listeners | ||||
| 9 | Attachment this limit | La Flor Azul - Live | 3:13 | 484 listeners | ||||
| 10 | Fondness this target | Los Hermanos - Breathing At Teatro Opera break out Buenos Aires / 1982 | 3:58 | 270 listeners | ||||
| 11 | Love that track | La Arenosa - Live | 3:00 | 439 listeners | ||||
| 12 | Attachment this give directions | Años | 11,328 listeners | |||||
| 13 | Tenderness this railway | Los Mareados - Live | 5:47 | 237 listeners | ||||
| 14 | Play railway |